![]() In the full-tilt boogie “Punk Sandwich,” the two hotshots exchange symbiotic runs like two longtime soul-mates headed straight for a musical nirvana.īecause the Dregs never came close to scoring a hit record, Morse never achieved the widespread notoriety afforded such ‘70s guitar heroes as Steve Howe of Yes, Jeff Beck and Jimmy Page. ![]() “Night of the Living Dregs,” a collection of studio and live concert tracks, is a sterling example of why the Dregs were considered musicians’ musicians by those in the know: On such tracks as “Country House Shuffle,” they skillfully navigated intricate arrangements and tricky tempo changes that simply were beyond the reach of most groups.Ī purely instrumental unit, the Dregs revolved around the fleet-fingered guitar work of Steve Morse and the violin wizardry of Allen Sloan, a formidable combination that helped shape a unique sound. Even though most of its songs were shorter and less grandiose than those of, say, Yes and ELP, the Southern quintet displayed the sort of dazzling musical virtuosity that was one of the progressives’ key trademarks. During their heyday in the ‘70s, Dixie Dregs sometimes were lumped together with the era’s many progressive rock bands.
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